El amor no mata by Memorarte. Photographer Marcelo Aragonese.jpg

‘Artivism’ is the fusion of art and activism. I view artivism (including craftivism) as the major art movement of the twenty-first century. I use a supranational textile art movement and its online diasporas of collaboration as a lens through which to trace the real-world importance of artivism. Through collaborations with academics in Chile, Colombia and Mexico, I explore the relationship between symbolic representations, justice and memorialisation. I believe that art plays an extraordinary role in justice processes.

I have been interviewing artists, academics and members of participatory needlework groups from Latin America and the recordings of these interviews are available on the discussions page and my YouTube channel. So far these interviews have been conducted over the internet. When I have found it difficult to connect to remote groups or where local trust is crucial to the formation of a research relationship, Colombian anthropologist Isabel González Arango has helped me to make contact.  González Arango runs the Colombian archive of testimonial textiles. 

I also collaborate with the Chilean artist Erika Silva, who is an expert in Chilean arpilleras and a member of the Chilean art collective Memorarte. We have curated an online exhibition, which you can see on our exhibitions page.


These collaborations are starting to take the shape of a research network. Together with Margarita Cuéllar Barona I have organised a few network events so far. You can find out about our events on the events page. 

Threads of Unity is a virtual space which reflects the nexus of our collaborations. Our transnational network is taking shape over the internet and we hope that as the pandemic ends, that we will be able to meet in person. 

Dr Lorna Dillon 

Leverhulme Early Career Fellow and Isaac Newton Trust Fellow

The site was created by Lorna Dillon as part of the Leverhulme Early Career Fellowship 'The Symbolic in Processes of Transitional Justice: Textile Art in Latin America.' Grant number ECF-2018-686 


If you have any comments or questions, please email


lad41 [@] cam.ac.uk